DEPRESSIONISTIC Manifest in the year of 2025
As a sound artist and abstract expressionistic painter, I situate my artistic practice within a world defined by war, instability, and systematic manipulation of truth. In 2026, art can no longer afford neutrality. Following the philosophical lineage of critical thought—from Adorno’s warning about culture under domination to Godard’s assertion that art is the reality of reflection—I understand art as a space where perception is not reproduced but questioned. My artistic work emerges from the fracture between lived reality and mediated reality. The wars, global political instability, and the omnipresence of propaganda form the ethical background of my practice. I do not depict events; I examine the structures that shape how events are seen, heard, and emotionally processed. In this sense, my work contributes to a pluralistic and democratic society by resisting simplified narratives and inviting critical awareness. Art becomes a tool for slowing down perception, exposing contradictions, and allowing ambiguity to exist without resolution. Through sound art, I construct immersive environments that bypass linguistic certainty and operate directly on cognition and emotion. Sound functions as a philosophical instrument: it destabilizes linear meaning and reveals how power operates through repetition, noise, silence, and affect. My sound works are not illustrations but experiential spaces where the listener confronts their own position within systems of influence and belief. My abstract expressionistic paintings operate in parallel. They map internal states shaped by external pressure—fear, fatigue, grief, and despair—without resorting to representation. Influenced by existential and phenomenological thinking, my paintings explore the inner landscape of human consciousness under constant informational and emotional strain. Color, texture, and form become traces of psychological and neurological response to a world in permanent crisis. By working consistently and professionally across sound, painting, and installation, I affirm art as a viable and necessary occupation, not a decorative supplement to society. My practice insists that art is labor, research, and responsibility. It challenges the marginalization of artistic work by positioning it as an essential means of societal analysis and reflection. The themes I address—war, propaganda, instability, and perception—are inherently transnational. My work speaks beyond national borders because the mechanisms of influence and emotional control are global. In this way, my practice contributes to the international relevance and sustainable growth of art and culture by engaging with shared human conditions rather than local spectacle. In a time when certainty is manufactured and doubt is discouraged, my Depressionistic practice embraces uncertainty as an ethical position. Art, for me, is not a passive background phenomenon but a critical force: a space where thinking remains possible, where pain is acknowledged without being exploited, and where reflection itself becomes an act of resistance. end of my DEPRESSIONISTIC Manifest 2026 ——————-
my DEPRESSIONISTIC Manifest in the year of 2023:
As a sound artist and abstract expressionistic painter, I am deeply committed to using my art as a means of bringing about positive change in the world. Through my work, I aim to convey a powerful message of peace and hope, while also exploring the depths of our collective pain and suffering. Through my sound art, I seek to create an immersive experience that transcends the boundaries of language and culture. Like Godard: “Art is not the reflection of reality, it is the reality of reflection.” I see art as a way to see behind lies and abuse. By using sound as a means of expression, I aim to tap into the deep emotional currents that run through us all, and to create a sense of connection and unity. Whether through the use of field recordings or electronic manipulation, my soundscapes offer a powerful commentary on the world and society around us. Similarly, my abstract expressionistic paintings offer a powerful statement on the human condition. Through the use of color, texture, and form, I seek to convey the depth of our collective sadness and despair. My work is an exploration of the inner landscape of human brain activity, a visual representation of the pain and suffering that we all share. Through my art, I seek to challenge the status quo, to break down the barriers that divide us, and to offer a glimmer of hope in an otherwise hopeless world. Whether through sound or paint, my work is a reflection of my deep commitment to the power of art to effect positive change in the world. end of my DEPRESSIONISTIC Manifest
my DEPRESSIONISTIC Manifest in the year of 2020
As a sound artist and abstract expressionistic painter, I situate my practice within the global crisis of the COVID-19 pandemic. In 2020, isolation, uncertainty, and fear revealed the fragility of social structures and the malleability of perception. Following Adorno’s critical theory and Godard’s insight that “art is the reality of reflection,” I see art as a space where consciousness can interrogate itself and society. Through sound, I create immersive environments that bypass language and tap directly into shared psychological currents: anxiety, grief, and the subtle tensions of solitude. My soundscapes explore how emotion circulates and how perception is shaped by isolation and mediated narratives. In parallel, my abstract expressionistic paintings map the interior landscapes of the mind under pressure. Color, texture, and form become traces of collective and individual psychological states, revealing despair, resilience, and the unspoken tensions of our altered reality. By working across media, I assert that art is not a marginal or decorative pursuit but an active force for reflection, critical awareness, and emotional connection. Even in a pandemic, art remains a space where thought, feeling, and resistance coexist, offering a framework to process crisis without simplification. end of my DEPRESSIONISTIC Manifest 2020
my DEPRESSIONISTIC Manifest in the year of 2010
As a sound artist and abstract expressionistic painter, my practice responds to the turbulence and contradictions of the early 21st century. The global financial crisis of 2008, rising social inequality, environmental disasters, and the increasing visibility of surveillance and state control defined the world entering 2010. Drawing on the critical insights of Žižek on ideology, Deleuze on deterritorialization, and Levinas on ethical responsibility to the Other, I see art as a site where perception, morality, and experience can be examined beyond mere representation. Through sound, I construct immersive spaces that reveal how social and economic systems shape emotion and consciousness. Layers of field recordings, digital manipulation, and abstraction create environments where anxiety, alienation, and collective uncertainty are directly felt. Sound becomes a vehicle to explore how individuals negotiate visibility, control, and freedom within global structures. My abstract expressionistic paintings parallel this inquiry, mapping the psychological and emotional terrain of a world in flux. Color, form, and texture convey social tension, grief, and resilience—traces of the human psyche under pressure from crisis, inequality, and environmental precarity. These works are not representations but resonances, evoking ethical reflection and self-awareness in the viewer. By working consistently across media, I assert that art is not marginal or decorative. It is a tool for critical perception, ethical reflection, and engagement with social reality. In 2010, as the world faced systemic crises and uncertainty, my Depressionistic practice insists that art remain a space where thought, emotion, and resistance coexist, confronting complexity rather than offering simplistic narratives.
NewsPoem Project: (Galleria 3h +k & Galleria 5 )
Uutisruno nro.2 2022
Uutisruno nro.16 2022
Sounds From Exhibitions:
Punaisen tauvaan alla – GalleriaValve -2019
Äänet vallassa – Poriginal 2022
As a sound artist and abstract expressionistic painter, I situate my artistic practice within a world defined by war, instability, and systematic manipulation of truth. In 2026, art can no longer afford neutrality. Following the philosophical lineage of critical thought—from Adorno’s warning about culture under domination to Godard’s assertion that art is the reality of reflection—I understand art as a space where perception is not reproduced but questioned. My artistic work emerges from the fracture between lived reality and mediated reality. The wars, global political instability, and the omnipresence of propaganda form the ethical background of my practice. I do not depict events; I examine the structures that shape how events are seen, heard, and emotionally processed. In this sense, my work contributes to a pluralistic and democratic society by resisting simplified narratives and inviting critical awareness. Art becomes a tool for slowing down perception, exposing contradictions, and allowing ambiguity to exist without resolution. Through sound art, I construct immersive environments that bypass linguistic certainty and operate directly on cognition and emotion. Sound functions as a philosophical instrument: it destabilizes linear meaning and reveals how power operates through repetition, noise, silence, and affect. My sound works are not illustrations but experiential spaces where the listener confronts their own position within systems of influence and belief. My abstract expressionistic paintings operate in parallel. They map internal states shaped by external pressure—fear, fatigue, grief, and despair—without resorting to representation. Influenced by existential and phenomenological thinking, my paintings explore the inner landscape of human consciousness under constant informational and emotional strain. Color, texture, and form become traces of psychological and neurological response to a world in permanent crisis. By working consistently and professionally across sound, painting, and installation, I affirm art as a viable and necessary occupation, not a decorative supplement to society. My practice insists that art is labor, research, and responsibility. It challenges the marginalization of artistic work by positioning it as an essential means of societal analysis and reflection. The themes I address—war, propaganda, instability, and perception—are inherently transnational. My work speaks beyond national borders because the mechanisms of influence and emotional control are global. In this way, my practice contributes to the international relevance and sustainable growth of art and culture by engaging with shared human conditions rather than local spectacle. In a time when certainty is manufactured and doubt is discouraged, my Depressionistic practice embraces uncertainty as an ethical position. Art, for me, is not a passive background phenomenon but a critical force: a space where thinking remains possible, where pain is acknowledged without being exploited, and where reflection itself becomes an act of resistance. end of my DEPRESSIONISTIC Manifest 2026 ——————-
my DEPRESSIONISTIC Manifest in the year of 2023:
As a sound artist and abstract expressionistic painter, I am deeply committed to using my art as a means of bringing about positive change in the world. Through my work, I aim to convey a powerful message of peace and hope, while also exploring the depths of our collective pain and suffering. Through my sound art, I seek to create an immersive experience that transcends the boundaries of language and culture. Like Godard: “Art is not the reflection of reality, it is the reality of reflection.” I see art as a way to see behind lies and abuse. By using sound as a means of expression, I aim to tap into the deep emotional currents that run through us all, and to create a sense of connection and unity. Whether through the use of field recordings or electronic manipulation, my soundscapes offer a powerful commentary on the world and society around us. Similarly, my abstract expressionistic paintings offer a powerful statement on the human condition. Through the use of color, texture, and form, I seek to convey the depth of our collective sadness and despair. My work is an exploration of the inner landscape of human brain activity, a visual representation of the pain and suffering that we all share. Through my art, I seek to challenge the status quo, to break down the barriers that divide us, and to offer a glimmer of hope in an otherwise hopeless world. Whether through sound or paint, my work is a reflection of my deep commitment to the power of art to effect positive change in the world. end of my DEPRESSIONISTIC Manifest
my DEPRESSIONISTIC Manifest in the year of 2020
As a sound artist and abstract expressionistic painter, I situate my practice within the global crisis of the COVID-19 pandemic. In 2020, isolation, uncertainty, and fear revealed the fragility of social structures and the malleability of perception. Following Adorno’s critical theory and Godard’s insight that “art is the reality of reflection,” I see art as a space where consciousness can interrogate itself and society. Through sound, I create immersive environments that bypass language and tap directly into shared psychological currents: anxiety, grief, and the subtle tensions of solitude. My soundscapes explore how emotion circulates and how perception is shaped by isolation and mediated narratives. In parallel, my abstract expressionistic paintings map the interior landscapes of the mind under pressure. Color, texture, and form become traces of collective and individual psychological states, revealing despair, resilience, and the unspoken tensions of our altered reality. By working across media, I assert that art is not a marginal or decorative pursuit but an active force for reflection, critical awareness, and emotional connection. Even in a pandemic, art remains a space where thought, feeling, and resistance coexist, offering a framework to process crisis without simplification. end of my DEPRESSIONISTIC Manifest 2020
my DEPRESSIONISTIC Manifest in the year of 2010
As a sound artist and abstract expressionistic painter, my practice responds to the turbulence and contradictions of the early 21st century. The global financial crisis of 2008, rising social inequality, environmental disasters, and the increasing visibility of surveillance and state control defined the world entering 2010. Drawing on the critical insights of Žižek on ideology, Deleuze on deterritorialization, and Levinas on ethical responsibility to the Other, I see art as a site where perception, morality, and experience can be examined beyond mere representation. Through sound, I construct immersive spaces that reveal how social and economic systems shape emotion and consciousness. Layers of field recordings, digital manipulation, and abstraction create environments where anxiety, alienation, and collective uncertainty are directly felt. Sound becomes a vehicle to explore how individuals negotiate visibility, control, and freedom within global structures. My abstract expressionistic paintings parallel this inquiry, mapping the psychological and emotional terrain of a world in flux. Color, form, and texture convey social tension, grief, and resilience—traces of the human psyche under pressure from crisis, inequality, and environmental precarity. These works are not representations but resonances, evoking ethical reflection and self-awareness in the viewer. By working consistently across media, I assert that art is not marginal or decorative. It is a tool for critical perception, ethical reflection, and engagement with social reality. In 2010, as the world faced systemic crises and uncertainty, my Depressionistic practice insists that art remain a space where thought, emotion, and resistance coexist, confronting complexity rather than offering simplistic narratives.
NewsPoem Project: (Galleria 3h +k & Galleria 5 )
Uutisruno nro.2 2022
Uutisruno nro.16 2022
Sounds From Exhibitions:
Punaisen tauvaan alla – GalleriaValve -2019
Äänet vallassa – Poriginal 2022
janneraappana.wordpress.com 